Fosi Audio ZA3 – an Upgrade of The Beloved V3

Fosi ZA3 front
9.0 TOTAL SCORE

Fosi Audio ZA3 (tested at $130)

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Sound 9
Build 10
Compatibility 8
Features 8
Value 10
Pros
  • Neutral tonality
  • Incisive sound
  • Great price to performance ratio
Cons
  • Nothing for the price

Fosi Audio ZA3 is an evolution of their virally successful V3 model. It comes with a slightly higher price tag so let’s find out what’s new and if the price hike is justified.

Build and Features

ZA3 grew in size compared to the palm-sized V3, yet it’s still a very compact device. It’s also a very well-made one. Aluminium is used all around and it feels sturdy enough. Even the volume knob, which takes the central spot on the front of the unit. is machined out of aluminium. The knob is orange by default and I like the styling. Aside from the volume knob that doubles as the on-off switch, there are no other buttons or switches. There is no remote control either so I suppose this amplifier is best suited for a desktop setup. The image bellow shows the ZA3 on the left and V3 on the right.

Fosi ZA3 and V3 front

Moving to the back we can see one set of RCA analog inputs, a set of balanced XLR inputs, sub-output, and binding posts to connect your speakers. This simplicity will be perfectly fine for many but not for all, and that is fine – not all products are made to appeal to everyone. On the right side of the back panel, you can see a power input that accepts DC voltage from 24 to 48 Volts, meaning that there is a power brick bigger than the amplifier itself juicing it up.

Fosi ZA3 back

When it comes to the power supply, you can choose between 32 V and 48 V when purchasing. Both of these are rated at 5 amperes. Depending on which one you opt for, possible output power can vary and you can find all that in the spec table at the bottom of the page. I opted for the higher voltage version so all tests and impressions in this review are based on the 48 V / 5 A version.

In the heart of the device, there is a Texas Instrument TPA3255 chip amplifier and Fosi Audio claims they made it output up to 280 W per channel in the best-case scenario which includes a 4 Ohm load and 48 V / 10 A power supply. With the one I have, that number falls to 230 W which is still a more than respectable number. Anyways, all those numbers aside, let’s find out how this amplifier performs in real-life use.

Sound

Fosi Audio ZA3, just like V3 before it, is a typical representative of the uncolored sound. Everything from the bassline to the highs is well-judged and you simply can’t pick a part of the sound spectrum that is asking for your attention more. This is a really good start given that affordable class D amplifiers used to sound lean and detailed but often dry or outright harsh. That’s certainly not the case with ZA3. This amplifier manages to produce music that sounds as a coherent whole and not just some of its parts. Male vocals sound full and believable, vocals in general don’t exhibit signs of sibilance or any other nasty characteristic. I moved to some jazz instrumentals just to notice that all instruments sounded natural too – trumpets are open but not harsh, string plucks are clean but not too edgy, and cymbals are crisp but also fluid enough. Go ten years into the past and even much more expensive class D amps would struggle to sound this natural.

Almost perfect tonality aside, what about other aspects you may ask? For one, the soundstage is decent. It’s not particularly big or airy but it’s not flat either. While sheer dimensions might be modest in absolute terms, it’s worth mentioning that no amplifier near this price is doing any better in that regard. It’s also worth mentioning that ZA3 layers really well, and separates instruments skilfully. This made for a well-organized soundstage with precisely pinpointed instruments and vocals. For the effect that the soundstage is enveloping your speakers completely and blasting sound outside of their physical boundaries, you would have to look too much, and I mean much, pricier amplifiers.

Finally, microdynamics is decent and this is one lively sounding amplifier. Big dynamic swings are not done with the scale and authority that one might expect from this power rating. In fact, there are less powerful amplifiers that will sound bigger and present a much bigger dynamic scale with more ease. Fosi Audio ZA3 is simply a clean and lively-sounding amplifier that is not meant to rock your house or impress you during Hans Zimmer’s movie compositions. For this to happen, the amplifier needs to have a much beefier power supply with greater current output and greater drive into impedance dips – which are often located in the bass region of a speaker and consume an unproportionate amount of energy. This fact will not take even a notch on my impression of Fosi ZA3, nor decrease its score. In fact I wouldn’t even mention it if some people are not reading into numbers too literally, believing that every Watt is the same no matter how it came to be.

Comparison

SMSL A300 is a pricier amplifier at 200 dollars. It also comes more feature-packed with an internal DAC of a lousy quality that you probably won’t use and a remote control that I appreciate. Those differences aside, let’s talk about how they compare sonically. Starting with similarities, they both sound very clean, precise, and revealing. Fosi Audio ZA3 has a slightly more natural and coherent presentation, while SMSL A300 is a bit livelier and more sparkly in highs. I slightly preferred SMSL’s presentation but you may disagree. Depending on your own preferences and system matching you might prefer the milder approach of ZA3.

Topping PA7 Plus is almost five times the price and offers the same kind of functionality, meaning no remote, and no extra features to talk of unless you count balanced inputs. That said, PA7 Plus does sound even cleaner and even more revealing. It also develops a bigger soundstage – both wider and deeper – with a darker background. Listen to it for some time and go back to Fosi Audio ZA3 – it will sound smaller and more congested. Is this worth five times the price? I can’t answer that for you since we all have our level of emotional and financial investment in this hobby.

Fosi Audio V3 is a slightly smaller amplifier that doesn’t have balanced inputs and sub-out but features a pre-out instead. I’ll leave the need and usability of any of these to you. Sonic wise there is barely any difference. In fact, almost the entirety of this review is a copy-paste of the one I made for V3. However, if you are one of those critical listeners you might notice that ZA3 does offer just a touch better clarity and separation. V3 in a head-to-head comparison sounds slightly milder and softer. And when I say slightly I do mean slightly. I did notice it and I would personally go for ZA3 but I can’t guarantee that everyone in every system would be able to tell the difference.

Now, if your source has balanced output, utilizing it might bring slight improvement over V3 too. In that case, the choice is easier and I would definitely go for ZA3.

Conclusion

Fosi Audio ZA3 is a well-made and really good-sounding desktop amplifier. It’s not some big and easily noticeable upgrade over V3 but it will be very welcome if you have a source that’s capable of a balanced connection. The price hike is modest and the value proposition is still fantastic.

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